268 Karangahape Road, Auckland



Friday 8th June


Important Francois K Fact No.1…
François Kevorkian is a French DJ, re-mixer, record label owner and producer.
Important Francois K Fact No.2…

He started his career in clubs Studio 54 and Paradise Garage.
Important Francois K Fact No.3…

He is known as one of the forefathers of House music.

Support from:

• Bevan Keys
• Recloose
• Philippa
• Frank Booker
• Greg Churchill
• Angela Fisken
• DJ Ange

$25 pre-sales from www.iticket.co.nz

The Lowdown On Francois K…

François Kevorkian was born and raised in France where his passion for music developed as he learnt to play the drums as a teenager. He moved to the USA in 1975 where he hoped to find a more challenging situations back home. There was very heavy competition for any gigs as a drummer at that time and so he sought work as a DJ at the underground New York City clubs. He quickly made must his full-time occupation and began to teach himself tape editing to make disco medleys. One of his medleys, for Rare Earth’s ‘Happy Song’ is still popular to this day. He took a job with Prelude Records working in A&R so that he’d have access to the studio to do remixes, his first remix was ‘In the Bush’ by Musique which became both a club and radio hit. It was a remix that helped François shape the new scene of New York’s dance music. He finished his stint at prelude in 1982 and the same year he had the various number 1’s in the Billboard’s Dance Music Chart with ‘Go Bang’ by Dinosaur L and ‘Situation’ by Yazoo.
During this time François also started to build his own recording studio, it shared the same building with Studio 54 and it soon became a commercial operation; he had so much work he had to give up DJing so he could start recording and mixing full-time.

He started DJing in 1990 and began travelling across the globe with his sets he played in venues such as: Ministry of Sound, Pacha, Space, Spacelab Yellow and Angels of Love. In 1995 he started an electric independent record label called ‘Wave Music’ which he used as an outlet for his own work as well as signing Floppy Sounds and Abstract Truth.

His release of his 2002 set, Sonar Music was a turning point; from here he started playing much more futuristic, edgier sounds like to Techno and Dub. In 2002 he started touring with the Detroit Techno star, Derrick May, playing together as the ‘Cosmic Twins’. In 2003 François Kevorkian started a residency on a Monday night at the NY ‘Deep Space NYC’. In 2005 François was welcomed into the Dance Music Hall of Fame as a DJ and remixer.

Born and raised in France, Kevorkian’s passion for music led to playing the drums during his teen years. He moved to the United States in 1975, where he hoped to find more challenging situations than those back home. Due to the heavy competition for any gig as a drummer in those days, he instead tried his hand at becoming a DJ in underground New York City clubs, around 1976. His career then skyrocketed, and he quickly made this his full-time occupation, although some work was at more commercial venues such as the club New York, New York in 1977.

He taught himself tape editing and started making disco medleys, some of which are still popular to this day, such as Rare Earth’s “Happy Song”. He was offered a position doing A&R for a nascent dance indie record label, Prelude Records, which allowed him to go into the studio and do remixes. His first remix, of a Patrick Adams production, “In The Bush” by Musique became a wild success both in clubs and on the radio. It was the first of many remixes that helped Prelude define the sound of New York’s dance music, including many memorable songs, including “You’re The One For Me’ and “Keep On” by D-Train, and “Beat The Street” by Sharon Redd. His stint at Prelude ended in 1982, the same year where he had the most number one singles in Billboard’s Dance Music Chart, which included his remixes of now-classic songs such as “Situation” by Yazoo, and “Go Bang” by Dinosaur L.

During this time he decided to build his own recording studio, Axis Studios, which ironically shared the same building as Studio 54. It quickly turned into a major commercial operation. Due to the pressures of studio work, he had abandoned DJing around 1983 to dedicate himself to recording and mixing full-time, but couldn’t stay away from the turntables, and started spinning again in early 1990. The scene had really become much more international, and he quickly was able to start traveling and gaining much exposure overseas, including Japan. He toured Japan, DJ’ing with Larry Levan in the Summer of 1992 (the ‘Harmony Tour’) right before Levan’s death in November of that same year. The demand for his DJ appearances led him to start traveling to many of the best club venues around the world, including London’s ‘Ministry Of Sound’ and ‘Fabric’, Japan’s ‘Spacelab Yellow’, Ibiza’s ‘Pacha’ and ‘Space’, as well as Italy’s ‘Angels Of Love’ and many large-scale festivals.
By 1995, he decided to start an eclectic independent record label, Wave Music which allowed him to find an outlet for his own creative endeavours, including the FK-EP, as well as signing records by Abstract Truth, Floppy Sounds and a slew of other electronic music releases. Then in 1996, he (along with partner John Davis) became involved in starting what arguably became one of New York’s most revered weekly parties, Body & Soul, which took place every Sunday afternoon at Club Vinyl (6 Hubert Street), playing along with co-resident DJs Joaquin ‘Joe’ Claussell and Danny Krivit for a mixed crowd of ecstatic and faithful dancers from all over the world. The ‘Body&SOUL’ sound, a unique soulful mix of very organic and spiritual dance music grooves, led to the release of a successful compilation series by the same name.

His career as an artist did not stop evolving, as he rekindled his interest for a more electronic sound, and the release of his Sonar Music set in 2002 marked a turning point; he started playing a much edgier and futuristic style, with more to do with Techno and Dub than the House sound he was mostly identified with as a DJ until that time. In 2002, he also started touring along with Detroit Techno legend Derrick May, playing sets together as the ‘Cosmic Twins’. His recent appearances at Berlin’s Tresor, Manchester’s Sankey’s Soap and London’s Fabric have helped gain him many younger fans that may not have been aware of his previous work, which in turn has led to the timely Summer 2006 release of his newest compilation CD, entitled ‘Frequencies’, (Wavetec), which takes the listener on a grand tour of the types of electronic music sounds he has been championing of late, from Electro and Minimal to ‘big-room’ House and Techno.

In April 2003, he started a residency at a new weekly Monday night event in New York City called Deep Space NYC, which focuses on dub in all of its forms, and where the format is extremely eclectic, ranging from spaced-out techno to the deepest reggae, dubstep, hip-hop as well as drum & bass, house music and disco. His recent musical output has him mixing Deep Space NYC Vol. 1, a compilation featuring several of his own original productions (along with Jamaican dub legends Mutabaruka and U-Roy); he also recently did notable remixes for Moloko, Yoko Ono, Cesária Évora, Nina Simone, as well as much for his own label. In 2005, he was inducted into the Dance Music Hall of Fame as both a remixer and DJ.
Kevorkian now tours the world, taking part in many music gatherings, such as the Sonar Multimedia Festival in Barcelona, Global Gathering (UK), Exit Festival (Serbia), The Big Chill (UK), Electric Picnic (Ireland).

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